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Estética Modernista, Crítica Decolonial e Criação Musical: Hans Joachim Koellreutter, Enrique Dussel e a minha Prática Compositiva

Abstract : This work presents a discussion about the trajectory of the modernist artistic movement in Brazil. Many of the advances and tendencies in the musical language began to change the direction of the Brazilian musical scene from the initiative of a small group, who were forced to propagate the music and language of their time. Concepts that bring up some problems about "Europe, Modernity and Eurocentrism" that permeate the modernist movement and much of Hans-Joachim Koellreutter's trajectory in Brazil and internationally will be pointed out, explaining these concepts within a theoretical framework, pointing to a change in the meaning of these terms that are placed as absolute and traditional in education, emerging a colonizing vision of history and a questioning concerning the practice of musical creation. In view of all these discussions, we can break certain paradigms that bind us to Eurocentric music for a decolonial musical thought.
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Carlos da Silva. Estética Modernista, Crítica Decolonial e Criação Musical: Hans Joachim Koellreutter, Enrique Dussel e a minha Prática Compositiva. Musicology and performing arts. Universidade Federal do Acre, 2018. Portuguese. ⟨tel-02511696⟩

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