Processos Híbridos na Sonorização da Poesia Visual
Abstract
Poetry is historically a fundamental part of the field of Arts, verbal language and its poetic versatility can be explored in infinite ways in artistic productions. The purpose of this article is to present poetry as a dilutor of the border between languages. It introduces a reflection on the relationship between sound, visual and musical productions both in ubiquitous music and in hybrid arts research. The text starts from a study of the historical context of the 20th century avant-gardes to recent research on ubiquitous music and its applications. There is also the exhibition of the artistic process and authorial experiences with visual poetry as a score or sound guide and its possible future developments
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